I challenge you to learn two chords every
day, until the last day of the season (December 20). If you've missed a day, please refer to this list. You have
your choice between the guitar and the keyboard (piano, synth, etc.), or both. If
you're a beginner, I'll show you relatively simple ways to play each
chord. If you're more advanced, you'll have the entire fretboard
and/or keyboard to explore.
Simple guitar chord shapes are marked with a number representing the recommended fingers to use for fretting a chord:
1 index finger
2 middle finger
3 ring finger
4 little finger
o play open string
x do not play open string
( bar one finger over more than one string
T that rare occasion that I recommend you use your thumb to fret a note
Today's first chord is F-sharp diminished, or F#dim:
Guitarists, here's a little tip about diminished chords. Usually in popular music, whenever a diminished chord is in a chord progression, it is a chord used in transition between two chords. For example, play an F chord for three beats, then play the F#dim for one beat, followed by a full measure in C. If you forget to play F#dim, it'll probably be okay. If you only play a couple of notes from F#dim -- say, the low F# and C, which makes it into a flat-5th power chord -- you've played enough to cover the idea of the chord. Perhaps another instrument -- guitar, bass, piano, etc. -- will be able to play that missing A note, or maybe the melody will have any missing notes.
Keyboardists, be a pal and cover for the guitarist's fragmented chord voicing by playing F#-A-C for F#dim. Please, and thank you!
The next chord is G major (major) 7th, or Gmaj7:
Guitarists, fret the low E string behind the 3rd fret with the tip of your middle finger (2), and use part of the same middle finger to mute out the A string (x), if you're strumming the chord. Leave the D, G, and B strings open (o). Fret the high E string behind the 2nd fret with your index finger (1).
Keyboardists, G-B-D-F# create the Gmaj7 chord. If you're hammering the entire chord at once, keep your G and your F# at least an octave apart (well, seven-eighths of an octave to be more accurate) to minimize dissonant harmonies. Arpeggios will work with any interval spacing between notes.
Two more tomorrow! Cheers!
Sunday, November 9, 2014
Chord "Deux" Jour Challenge: F#dim and Gmaj7
Posted by Ryan DeRamos at 3:00 AM
Labels: chord deux jour 2014, lesson
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