Remember from last time:
I. Bb major
ii. Cm
iii. Dm
IV. Eb major
V. F major
vi. Gm
vii(b5). Adim
The Bb major diatonic scale is as follows: Bb C D Eb F G A Bb
Therefore, the relative minor of Bb major (the chord and the scale) is G minor.
The G natural minor scale is as follows: G A Bb C D Eb F G
The G harmonic minor scale is as follows: G A Bb C D Eb F# G
Now we have those ground rules established, it might help in the songwriting process to substitute the mellow iii chord with a more confident III chord. Going back to the simple relative minor substitutions from last time, let's try the following progression:
I-V-I-V-IV-V-I (I-V): Bb F Bb F Eb F Bb (play Bb F quickly)
Let's replace some I and V chords with their relative minors, vi and iii respectively.
I-V-vi-iii-IV-V-I (vi-V): Bb F Gm Dm Eb F Bb (Gm F)
Let's replace the iii chord with a III chord (that is a major chord).
I-V-vi-III-IV-V-I (vi-V): Bb F Gm D Eb F Bb (Gm F)
Anyway, to connect with the natural minor and harmonic minor scales mentioned above, let's look at the iii and III chords.
iii. D minor chord (D F A notes)
III. D major chord (D F# A notes)
Friday, August 15, 2008
Bb Chord Progressions: iii and III Substitutions
Posted by Ryan DeRamos at 12:31 AM
Labels: bb, bb major, chord, dirty dozen, g minor, intermediate, progressions, scale, songwriting, substitutions
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