![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCZ1J9P9FhZCQ7rZ9wz4Qmr0phWkPLtVeTc-EBPI8yV4Irca6RjliERmrn_DDtw0OYk77E6DmaMELqvm7P1IxGUmX_Q6d2qqi8K93MCeNVkwWV7ssqeho01mq4dauIxH1xEZ2vEuJ8T33P/s320/C%236.jpg)
To build most fancier chords, you have to take a regular triad (root-major 3rd-perfect 5th or root-minor 3rd-perfect fifth or root-minor 3rd-diminished 5th) and add a note or two to the chord. Sometimes, certain chord voicings omit notes from the base triad, like the 3rd or the 5th - for instance, this particular C#6:
A string = C# (root note)
A string = C# (root note)
D string = F (or E#, major 3rd)
G string = A# (major 6th)
B string = C# (root note)
The perfect 5th, G#, has been omitted for this particular voicing. Placing your thumb behind the 4th fret of the Low E string could be a possible way to add that note, if you choose to do so.
The perfect 5th, G#, has been omitted for this particular voicing. Placing your thumb behind the 4th fret of the Low E string could be a possible way to add that note, if you choose to do so.
No comments:
Post a Comment
We'd love to hear from you! If you spot a typo or musical inconsistency (it sometimes happens), please let us know (please be nice, too). Thanks!
Comments on each post close after seven days.